Curriculum Vitae
Education
MFA in Dance, Hunter College, 2019-2022
Thesis Project Advisor: David Capps
Dance Technique: Pedro Ruiz, Blakely White-Mcguire, Qualin Arnold
Modes of Inquiry: Apollinaire Scherr
Topics in Teaching: Maura Donohue
Aesthetics: Susan Thomasson
Process and Projects: Carol Walker
Performance and Presentation: Carol Walker
Graduate Dance History: Celia Ipiotis
Lighting Design: Burke Brown
Studies of Forms: Randi Sloan
Methods in Teaching: Kathleen Isaac
Screen Dance: Lori Brungard
Maintenance of the Dancer's Instrument: Rebecca Dietzel
Independent Study--Anatomy and Kinesiology for Dancers Curriculum: Rebecca Dietzel
Independent Study--Physical Practice: Nina Goldman
Blank Screen: Zach Nader
Advanced Studio: Marty Lucas
BFA in Dance, Purchase College, 1997-2001
BFA Thesis--The Goldberg Variations, Choreographer: Mark Haim
Dance Technique: Kazuko Hiribiashi, Kevin Wynn, Rossana Seravalli, Bettijane Sills, Megan Williams, Neil Greenberg, Stephanie Tooman, Kathy Kerr, and Janett Panetta
Music: Richard Cameron Wolf
Dance Composition: Kazuko Hirabayashi
Dance History: Larry Clark
Lighting Design: Johnathan Belcher and Stacy-Jo Marine
Anatomy and Kinesiology: Larry Clark
​
During my time at Purchase College, I had the privilege of dancing in choreographic works by Kevin Wynn, Pascale Rioult, Paul Taylor, and Neil Greenberg.
Other Dance Training/Somatic Practices
Modern/Contemporary Technique: Miguel Gutierrez, Terri/Oliver Steele, Bill Young, Colleen Thompson, Daniel Charon, Merceditas Mañago, Gabriel Masson, Diane Madden, Will Swanson, and Mariah Maloney
Klein Technique: Barbra Mahler
Body Mind Centering: RoseAnne Spradlin
Vinyasa Yoga
Folklorico: Event of the Year Dance Program, S.F.
Flamenco: The Academy of Ballet, S.F.
Afro-Haitian: S.F. Performing Arts High School
Bates Summer Intensive, 2000
Gabriel Masson, Michael Foley, and Nancy Stark Smith
Academy of Ballet, San Francisco, 1992-1997
Ballet Technique: Richard Gibson and Zory Kahra
Lines Studio, San Francisco, 1992-1997
Ballet and Modern/Contemporary Technique: Alonzo King, Arturo Fernandez, Cheryl Chaddick
University Teaching
Salve Regina University, Adjunct Professor (Present)
Hofstra University, Adjunct Professor, 2013-2021
I created and developed modern/contemporary dance syllabi supporting Hofstra University's dance curriculum. My classes encompassed the technique, history, theory, and philosophy of modern/contemporary technique for dance majors and non-dance majors. I mentored students' dance training, advised senior practicums, choreographed for Hofstra's Spring and Fall Faculty Dance Concerts, and instructed self-care, bodywork, and improvisation workshops for MoVoM (Hofstra's student club for dance majors).
Hunter College, Adjunct Professor, 2019-2020
I created and developed modern/contemporary dance syllabi for dance majors and non-dance majors following Hunter College's dance curriculum. My classes focused on the fundamentals of modern/contemporary dance techniques, understanding and integrating physicality and creativity through movement, and reviewing basic skills required for further study.
Master Classes/Intensives/Workshops
Brown University, Master Class/Guest Lecturer
Modern/contemporary techniques, improvisation, proprioceptive awareness, self-care techniques.
Roger Williams University, Master Class, 2023
Modern/contemporary techniques.
Providence College, Master Class, 2023
Modern/contemporary techniques.
Barnard College, Master Class, 2019
Modern/contemporary techniques.
Purchase College, Master Class, 2018
Modern/contemporary techniques.
James Madison University, Master Class, 2017
Modern/contemporary techniques.
Shenandoah University, Master Class, 2017
Modern/contemporary techniques.
Purchase College, Master Class, 2015
Modern/contemporary techniques.
Purchase College, Master Class, 2015
Modern/contemporary techniques.
Marymount Manhattan College, Master Class, 2015
Modern/contemporary techniques.
New Museum (NYC), Research and Development Season, Workshop, 2015
I taught modern/contemporary techniques emphasizing proprioception awareness through movement and stillness.
Princeton University, Master Class, 2014
Modern/contemporary technique.
Doug Varone and Dancers Summer Intensive, SUNY Brockport, 2013
Varone style of modern/contemporary technique and repertory reconstruction.
Doug Varone and Dancers Winter Intensive, Hunter College, 2013
Varone style of modern/contemporary technique and repertory reconstruction.
Doug Varone and Dancers Summer Intensive, Purchase College, 2012
Varone style of modern/contemporary technique and repertory reconstruction.
Doug Varone and Dancers Winter Intensive, Hunter College, 2012
Varone style of modern/contemporary technique and repertory reconstruction.
Dance Education Laboratory Workshop, 92nd St. Y, 2012
Doug Varone company members facilitated and participated in building pedagogical tools for dance composition and modern/contemporary technique with a group of NYC public and private school dance teachers.
University at Buffalo, Master Class, 2012
Modern/contemporary techniques.
92nd St. Y Harkness Dance Center, Summer Intensive, 2012
Modern/contemporary techniques, Doug Varone's repertory reconstruction, and dance composition.
Doug Varone and Dancers Summer Intensive, SUNY Brockport, 2012
Varone style of modern/contemporary technique and repertory reconstruction.
​
Other Teaching
Metamorphosis Dance Company, Rhode Island (April, 2024)
Company/Community class. Modern/contemporary techniques.
Newport Contemporary Ballet Company, Rhode Island (Present)
Company class guest instructor. Modern/contemporary techniques.
Newport Ballet Academy, Rhode Island (Present)
Faculty member. Modern/contemporary techniques.
Providence Ballet, Rhode Island, 2023
Guest Teacher. Modern/contemporary techniques.
Meadowbrook Waldorf School, Rhode Island, 2022-2023
Movement class substitute teacher for grades 1-8. I organize lesson plans based on Waldorf education using movement and games to enhance students' coordination, balance, and flexibility.
Trevor Day School, New York City, 2007-2008
Modern/contemporary technique and improvisation substitute teacher for grades 6-8.
​
Repertory Reconstruction: Doug Varone and Dancers
Barnard College, Carrugi, 2019
Hofstra University, Carrugi, 2012
Doug Varone and Dancers Intensives, Lux, Carrugi, Boats Leaving, Rise, and Aperture, 2011-2013
Performing
Doug Varone and Dancers, 2011-2013 and 2017
As a member of the Doug Varone Company, I performed nationally and internationally, taught at annual summer and winter intensives, led master classes, and participated in lecture demonstrations, and educational outreach.
Repertory Performed: Possession, Rise, Ballet Mechanique, Carrugi, Lux, Aperitif, Aperture, Boats Leaving, Mouth Above Water.
Dance by Neil Greenberg, 2004-2010
As a member of Dance by Neil Greenberg, I performed at esteemed performing arts theaters throughout New York City and participated in lecture demonstrations and educational outreach.
Repertory Performed: Partial View, Quartet with Three Gay Men, Really Queer Dance With Harps, (like a vase).
Performance and Projects
John Jesurun, ShadowLand, 2013
Metropolitan Opera, Les Troyens, and Le Sacre du Printemps, 2012, 2003, 2002
John Bock, Lecker Puste, and Lecture, 2012, 2010
Jon Kinzel, Truly Madly Deeply, 2010
Minnesota Opera, Faust, 2009
robbinschilds, Sony and Layla Go Camping, 2009
RoseAnne Spradlin, Blue Liz, 2008
Trisha Brown, 2006-2005 (Project: I worked with Trisha Brown at her SoHo Loft in New York City to create movement material for Da Gelo a Gelo.
Bill Young/Collen Thompson Company, For Want (a circus), 2005
Choreography
Polarity Trip, Brown University: Guest Choreographer, 2024
Dancers 6. Music: Gestures, Benjamine Koppel, Paul Bley, Tommy Anderson, Marlyn Mazur, and Peter Nilsson, Conjunction for C.B., Wayne Horvitz, Spress Theyself, Nate Smith, Algobench, Barre Phillips, György Kurtáge
Mesh, Roger Williams University: Guest Choreographer, 2023
Dancers 8. Music: Gene Takes a Drink, Bang On A Can All-Stars. Symphony No.3 MVT III, Phillip Glass.
Locus Point, Providence College: Guest Choreographer, 2023
Dancers: 6. Music: Drifting Circles, Anne Muller
BodyVerse (Dance Film), Hunter College Thesis Project, 2022
Solo. Soundscape arranged by Colin Stilwell. Film editing by Colin Stilwell.
BodyMind (Dance Film), Hunter College, 2021
Solo. Music: Robots: The Exhibition Soundtrack, Celestial Mechanisms. Text: excerpts from Wisdom of the Body Moving by Linda Hartley. Film editing by Colin Stilwell.
Untitled (Dance Film), Hunter College, 2021
Solo. Music: Pausal, Murmuraton I. Film editing by Colin Stilwell.
Vessel Breath, Hunter Dance Festival, 2020
Solo. Live online dance. Music: Michael Gordon, Timber, edited by Ryan Wolfe. Set Design and Lighting by Colin Stilwell.
Red Garden, Hunter Dance Festival, 2020
Solo. Live online dance. Music: Johann Sebastian Bach, Toccata, Adagio, and Fuge in C Major BWV 564. Music editor: Ryan Wolfe. Set Design and Lighting by Colin Stilwell.
Below the Line, Hunter College, Peggy Theater, 2019
Trio. Music: Steven Reich, Music for 18 Musicians. Music editor: Ryan Wolfe. Lighting: Burke Brown.
Crash and Move, Hofstra University, John Crawford Adams Playhouse, 2019
Dancers: 11. Music: Led Zeppelin, Bonzo's Montreux, and Original Score by Ryan Wolfe.
Through Form and Momentum, Hofstra University, John Crawford Adams Playhouse, 2017
Dancers: 10. Music: John Adams, Shaking and Trembling, and Short Ride in a Fast Machine.
Outer System, Hofstra University, John Crawford Adams Playhouse, 2014
Dancers: 8. Original Score by Jordan Chiolis.
Stilwell and Moongods: Represent, Dixon Place, 2010
Duet. Original Score by Moodgods.
That Coat, Aunts, 2009
Solo. Music: Various rap artists. Spoken Text by Colin Stilwell.
​
Awards/Scholarships
Brown Arts Ecoperformance IGNITE Selection Award, 2024
Graduate Scholarship, Hunter College, 2019-2021
Adopt a Dancer, Purchase College, 1997-2001
Community Action Move for Change, 2017
I organized and promoted an art event/fundraiser for the ACLU and the Art Therapy Project (NYC). The Door, 2008
I helped facilitate an art and dance workshop to empower young people to reach their potential in a diverse and caring environment.
Related Practices
New York State Certified and Licensed Massage/Bodywork Therapist, 2008-Current
1000—hour Massage Education
Training includes Kinesiology, Anatomy, and Physiology.
Modalities Learned: Swedish, Energy Palpation, Shiatsu, Connective Tissue Therapy, Sports Massage, Neuromuscular Therapy, Medical Massage, Kinesthetic Awareness through movement, Passive, Active, and Assisted Stretching, Hydro-Therapy, Essential oils, Business, and Ethics.
-I take continuing education courses in massage/bodywork therapy totaling 36 hours every three years.
​